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Were the trump of the Last Judgement to sound suddenly on a working day the musician at his piano would go on with his performance of Beethoven's sonata and the cobbler at his stall stick to his last in undisturbed confidence in the virtues of the leather. The fact seems to be that the play of his destiny is too great for his fears and too mysterious for his understanding. The unchanging Man of history is wonderfully adaptable both by his power of endurance and in his capacity for detachment. It seemed awfully presumptuous to think there would be eyes to spare for those pages in a community which in the crash of the big guns and in the din of brave words expressing the truth of an indomitable faith could not but feel the edge of a sharp knife at its throat. It came out in the thirteenth month of the war, and my conscience was troubled by the awful incongruity of throwing this bit of imagined drama into the welter of reality, tragic enough in all conscience, but even more cruel than tragic and more inspiring than cruel. The fact of the book having been published in the United States early in the year made it difficult to delay its appearance in England any longer. The contemporaneous very short Author's Note which is preserved in this edition bears sufficient witness to the feelings with which I consented to the publication of the book.
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The writing of it was finished in 1914 long before the murder of an Austrian Archduke sounded the first note of warning for a world already full of doubts and fears. On approaching the task of writing this Note for Victory, the first thing I am conscious of is the actual nearness of the book, its nearness to me personally, to the vanished mood in which it was written, and to the mixed feelings aroused by the critical notices the book obtained when first published almost exactly a year after the beginning of the war. My object in mentioning him here is to bring out the fact that, far from being the incarnation of recent animosities, he is the creature of my old deep-seated, and, as it were, impartial conviction. I don't pretend to say that this is the entire Teutonic psychology but it is indubitably the psychology of a Teuton. Only, in this instance, his deeper passions come into play, and thus his grotesque psychology is completed at last. Here he appears in a still larger part, true to life (I hope), but also true to himself. A very subordinate personage in Lord Jim as far back as the year 1899, he became notably active in a certain short story of mine published in 1902. Schomberg is an old member of my company.
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I am not likely to offer pinchbeck wares to my public consciously. That I believe him to be true goes without saying. The second point on which I wish to offer a remark is the existence (in the novel) of a person named Schomberg. And I made up my mind to let the word stand, in the same hopeful spirit in which some simple citizen of Old Rome would have "accepted the Omen." Such coincidence could not be treated lightly. It was the last literary thought which had occurred to me before the doors of the Temple of Janus flying open with a crash shook the minds, the hearts, the consciences of men all over the world. "Victory" was the last word I had written in peace-time.
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What influenced my decision most were the obscure promptings of that pagan residuum of awe and wonder which lurks still at the bottom of our old humanity. Of that, however, I was not afraid very much. There was also the possibility of falling under the suspicion of commercial astuteness deceiving the public into the belief that the book had something to do with war. The word "Victory" the shining and tragic goal of noble effort, appeared too great, too august, to stand at the head of a mere novel. Now that the moment of publication approaches I have been considering the discretion of altering the title-page. And that last word was the single word of the title. The last word of this novel was written on. *** START OF THIS PROJECT GUTENBERG EBOOK VICTORY *** With this eBook or online at Title: Victory
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Re-use it under the terms of the Project Gutenberg License included This eBook is for the use of anyone anywhere at no cost and withĪlmost no restrictions whatsoever. The Project Gutenberg EBook of Victory, by Joseph Conrad